When we are weary of our daily life, we want to escape to
nature. We want connection to something beyond ourselves. Nature helps
us to feel that we are part of something collective; outside the limits
of self. In our daily activities, we consciously work to be unique, and
this process can be very alienating.
We walk through forest and mountains. With each step, we come closer to
the fundamental simple rhythms of life. Our steps become more
rhythmical and our heartbeat and breathing keep apace. We experience
oneness with the grandeur that surrounds us, and a sense of solidity
with each step on the path. We walk and walk in silence. With fatigue
we feel that the center of our bodies drop down. Like slow trains on
steep tracks we keep plodding forward.
Deep in the mountain we cross a creek. The sound of water is bright,
and it makes our weary feeling a little lighter. Each creek we cross
brings us closer to the solitude we seek. In quietude above the murmurs
of the flowing water, the true essence of nature as evanescent,
temporal and always changing touches us profoundly. We want to have
stability in our lives, yet things keep changing.
We climb up a rocky cliff and hear sounds of a waterfall somewhere
beyond. The water from the cascade seeps out of the pores of the cliff.
We stand at the precipice and look up at the magnificent falls and take
a deep breath as the water splashes over us.
Proper Taiko drumming approximates this awesome experience. The sound
of Taiko is both fleeting and grounded in the same instant – the sound
of mountains and streams.
Taiko is physical drumming. Creating an awesome and convincing sound
requires physical training and absolute concentration. This process of
physical involvement to create a powerful sound leads the drummer
towards an awareness of universal rhythms. Whatever speed we drum, the
basic down beat that goes with the drumming appears from nowhere. The
rhythm is already there! If we free ourselves from the thoughts and
tensions in our body, we can be in sync with this basic rhythm - a
focused, subconscious rhythmic dialogue.
Drummers need to sense the sound in their bodies, because the sounds we
create reflect the energy of our lives. The energy of life cannot go
from one lifeless object to another – the drum has to be alive. We have
to give the drum life; the drummer’s energy charges the drum. With
genuine effort and constant practice in disciplining the Self, the
drummer can attain better drumming skills to a point where the drummer
is beyond conscious thought. This unconscious wakefulness is the way to
make the drum come alive. Taiko is an organic art form; it requires
human expression at the deepest level.
Just to memorize the beats of the music is not the same as connecting
oneself to the fluid flow created by the proper focused use of one’s
total energy! This energy expands exponentially when all drummers are
riding the same powerful wave. When this happens a portal opens to
universal primal rhythmic forces and we are swept away in the vortex of
what feels to be a timeless moment.
I once had an experience on stage with my fellow drummers. I felt
oneness with the drummers while we were performing, and everyone felt
the same. We drummed for seven minutes. While I was drumming, I felt
light as a feather, even though I was pounding the drum so hard. The
strange thing was that I heard neither my sound nor the other
drummers’, but I know I was playing the music in absolute sync with
them. When we finished drumming, everyone said, “What was that?” I knew
the performance had lasted for a while, but I felt it happened only
within a second. Everyone felt that we had visited another world just
like the children in the Chronicles of Narnia. I felt eternity and a
single moment were co-existing, and the only difference was based on
our fluctuating perceptions.
The intense discipline of Taiko has given me a glimpse of the
indefinable. The rhythms of the drum weave a thread past conscious
thought and bind together the seamless realities of psyche and cosmos.
Taiko drumming is physical and mental. The Eastern approach to
understand the world does not separate the inner world from the outer
world. When a drummer experiences the power within, that drummer is
inside of the Taiko sound as well as outside of that sound. Actually,
the sound does not even exist. It is an ineffable feeling, and this is
the mystical experience that comes from the power of Taiko.

